The challenge of finding the most accessible way possible to deal with the remnants of the post-modernized world and to repurpose their forms and material characteristics. A repurposing with minimal intervention that plays with the perception of value—in objects that have passed their expiration date—mounted on the frame of the DSC 106 chair from the 1960s—a time when new forms still carried the promise of progress—designed by Giancarlo Piretti. Industrial optimism meets materialistic abundance. Value shifts from the new to the existing.

material:
DSC 106 frame, old used car tire, fur

photo credits:
Lukas Hof / Werkstätte für dig. Fotografie – Die Angewandte